Sarah Paulsen
  • News
  • About & Bio
    • Statement
    • CV
    • Press
    • Contact
  • Current Projects: On Whiteness
    • The Invention of Whiteness >
      • White by Law
      • Passenger
      • Consumer's Void
      • The Racial Matrix
      • Jello
    • On Whiteness >
      • hidden white norms
      • Family Culture, Traditions, and Rituals
  • Visual Art
    • Animation Drawings, Props, and Ephemera
    • Painting >
      • Untitled Women
      • Parades >
        • History of Parades
      • Female Flaneur >
        • Female Flaneur Exploration in St. Louis
        • Thrift Store Identities
        • Searching for Art in South America
        • The Grand Tour
      • Portraits of Columbia
      • Group Portraits
    • CamRah >
      • Ant Circus and Built
      • Echo
      • Off the Wall in Utter Pandemonium as We Tape on It.
      • Temple of the Dancing Bear
      • Murals and Set Design
    • Collage/Assemblage >
      • Targets
      • Wanderlust
    • Community Projects >
      • Community Workshops & Artist Residencies
      • Curating
      • Murals
      • People's Joy Parade
    • Drawing >
      • Recall Redraw Release
      • Things for Which I am Nostalgic
      • Sketches and Process Work
    • Installation >
      • & Animation
      • & Paintings
      • Female Flaneur Exploration
      • Found Fabric Screen
    • Costumes and Performances
  • Video and Animation
    • Ant Circus
    • Begin
    • Elegy to Connie >
      • Elegy to Connie artworks
    • High Wire
    • Heart is a Muscle
    • Midwest Hair
    • ¿Qué Séra, Séra?
    • W.O.W (Women On Wheels)
  • Teaching
    • Marian Middle School and College/Adult Classes
    • Animation Workshops and Classes
  • Sales
    • Freelance & commission work.

Artist Statement

     I make work about subcultures, outsiders, and the informal configurations of community. While I was trained as a painter, for the past twelve years, I have been additionally making animated documentaries and experimental films, from my paintings and collages, using stop motion animation techniques. Utilizing found materials - old magazines, photos, or objects, I aim to deconstruct the histories and associations of these items, to illustrate a point or give life to an idea.  With all these mediums, my hope is to capture the essence of a person or place.  When I interview a person in preparation for an animation, I seek a dialogue with each individual that will reveal their complexity in an effort to connect with what they are passionate about and see how it relates to their history and my own.
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