Artist Statement
I make work about subcultures, outsiders, and the informal configurations of community. Primarily I work with paint, but I have been animating my paintings and collages for the past eight years. With these mediums, I enjoy telling the story of a person or place. I don’t just work in my studio. I like to consider myself a female explorer. My animations are conceived through the observations and conversations I have with the community of people I encounter in St. Louis. Talking, walking, and driving, I discover my surroundings. The journey could
also occur perusing a thrift store, old magazine, or yearbook. The trinkets thatI find, and drawings and collages I make, all become a part my animations. By animating using things handmade, I endeavor to create visuals that evoke a sense of enchantment and wonder. Furthermore, by working in a process that embraces a low-tech economy of means, I hope to match the authentic spirit of everyday stories. When I interview people in preparation for an animation, I seek a dialogue with that individual that reveals their complexity. I try to connect
with what he/she is passionate about and see how that relates to their history.
also occur perusing a thrift store, old magazine, or yearbook. The trinkets thatI find, and drawings and collages I make, all become a part my animations. By animating using things handmade, I endeavor to create visuals that evoke a sense of enchantment and wonder. Furthermore, by working in a process that embraces a low-tech economy of means, I hope to match the authentic spirit of everyday stories. When I interview people in preparation for an animation, I seek a dialogue with that individual that reveals their complexity. I try to connect
with what he/she is passionate about and see how that relates to their history.